Stage Lighting
I enjoy nearly every aspect of the theatrical process and have discovered a love for light design. I have designed the lights exclusively for Centralia's Evergreen Playhouse since 2015 and helped bring in a new lighting system and LEDs over that next year to the facility. I have also worked with the local high school in balancing their aging fixtures to help tell the story the students are sharing as well as Centralia College and working in their black box space. Although I have no formal education in theatrical lighting, I have many years of experience both onstage and behind the scenes and credit others wiser than myself for teaching me everything I know about light design. I enjoy small, intimate spaces, and supplementing the story being told onstage with colors and light - I love to find the "magic" in every production and look for ways to bring it to the next level.
The Diary of Anne Frank - May, 2014, Centralia High School (dir: Kays)
A Christmas Carol - December 2015, The Evergreen Playhouse (dir: Kays)
Laura Ingalls Wilder; Voice of the Prairie - February 2016, The Evergreen Playhouse (dir: Wilcox)
Deathtrap - April 2016, The Evergreen Playhouse (dir: Roal)
The 25th Annual Putnam County Spelling Bee - June 2016, The Evergreen Playhouse (dir: Rivers)
Grease - October 2016, The Evergreen Playhouse (dir: Rivers)
Gentlemen Prefer Blondes - November 2016, Centralia High School (dir: Kays)
It's A Wonderful Life - December 2016, The Evergreen Playhouse (dir: Roal)
Moon Over Buffalo - February 2017, The Evergreen Playhouse (dir: Kingsbury)
A Few Good Men - March 2017, The Evergreen Playhouse (dir: Osborne)
Godspell - May 2017, The Evergreen Playhouse (dir: R. Garrett)
Barefoot in the Park - June 2017, The Evergreen Playhouse (dir: Kays)
Clue, the musical - October 2017, The Evergreen Playhouse (dir: Rivers)
1984 - November 2017, Centralia College (dir: Kreilkamp)
Children of Eden - December 2017, The Evergreen Playhouse (dir: Kays)
Rebel Without A Cause - February 2018, The Evergreen Playhouse (dir: R. Garrett)
Urinetown the Musical - March 2018, The Evergreen Playhouse (dir: Thornton)
Same Time, Next Year - April, 2018, TOAD, LLC (dir: Kingsbury)
And Then There Were None - May, 2018, The Evergreen Playhouse (dir: Hickey)
The Importance of Being Earnest - June, 2018, The Evergreen Playhouse (dir: Wilcox)
Mulan, Jr. - August, 2018, TOAD, LLC (dir: R. Garrett)
Guys and Dolls - October, 2018, The Evergreen Playhouse (dir: R. Garrett)
Antigone - November, 2018, Centralia College (dir: Kreilkamp)
Scrooge, the Musical - December, 2018, The Evergreen Playhouse (dir: Marsh)
Blithe Spirit - February, 2019, The Evergreen Playhouse (dir: McManus)
The Secret Garden - March, 2019, The Evergreen Playhouse (dir: Kays)
Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean - May, 2019, The Evergreen Playhouse (dir: Caro)
Steel Magnolias - June, 2019, The Evergreen Playhouse (dir: Michael)
Just So - July, 2019, Tenino Young at Heart (dir: McKenzieSullivan)
Once Upon a Mattress - August, 2019, TOAD, LLC (dir: R. Garrett)
Play On! - October, 2019, Evergreen Playhouse (dir: Roal)
You Can’t Take it With You - November, 2019, Centralia College (dir: Perkins)
Scrooge, the Musical - December, 2019, Evergreen Playhouse (dir: Kays)
Don’t Dress for Dinner - January, 2020, Evergreen Playhouse (dir: Marsh)
Fun Home - February, 2020, Centralia College (dir: Start)
Next to Normal - March, 2020/February, 2022, Evergreen Playhouse (dir: Michael)
Beauty and the Beast, Jr. - July, 2021, TOAD, LLC (dir: R. Garrett)
The Hound of the Baskervilles - October, 2021, Evergreen Playhouse (dir: Baker)
One Flew Over the Cuckoo’s Nest - March, 2022, Evergreen Playhouse (dir: R. Garrett)
Mamma Mia! - May, 2022, Evergreen Playhouse (dir: Brown)
Rodgers and Hammerstein’s Cinderella, Jr. - August, 2022, TOAD, LLC (dir: K. Garrett)
White Christmas - December, 2022, Evergreen Playhouse (dir: Koenen)
The Diary of Anne Frank - February 2023, Evergreen Playhouse (dir: Kays)
The Sound of Music - May 2023, Centralia College (dir: Kreilkamp)
Tuck Everlasting - May 2023, Evergreen Playhouse (dir: Michael)
Sunday in the Park with George - May 2023, South Puget Sound Community College (dir: Love)
The Lightning Thief - October 2023, Olympia Family Theater (dir: Rogers)
Murder on the Orient Express - October 2023, Evergreen Playhouse (dir: Crummett)
James and the Giant Peach - December 2023, Evergreen Playhouse (dir: Gordon)
Almost, Maine - January 2024, Evergreen Playhouse (dir: Manalastas)
Nunsense - March 2024, Evergreen Playhouse (dir: Michael)
Noises Off - April 2024, Evergreen Playhouse (dir: Brown)
The Addams Family - May/June 2024, Evergreen Playhouse (dir: Koenen)
The Lightning Thief - August 2024, TOAD, LLC (dir: Garrett)
Arsenic and Old Lace - October 2024, Evergreen Playhouse (dir: Fitzgerald)
A Christmas Story, the Musical - December 2024, Evergreen Playhouse (dir: Donnell)
Charley’s Aunt - January 2025, Evergreen Playhouse (dir: Brown)
Matilda, the Musical - March 2025, Evergreen Playhouse (dir: Amador)
Into the Woods - June 2025, Evergreen Playhouse (dir: Slaughter)
The following posts are a selection of some of my favorite lighting designs. For a full list of all of the shows I have designed, check out my lighting resume above.
Matilda Magic
There is an advantage to performing with tracks; the music will always be the same, at the same tempo, and notes will be exactly where they should be. This made programming Matilda, the Musical simpler (I would have had more cues had we had to manually fire the cue to words; instead, I was able to create multiple chases that would fire at a certain word or beat and then was timed with the music to pulse and dance with the actors). Some numbers that used this extensively was “Bruce”, “Naughty”, “Loud”, and “Revolting Children”.
Gambling with Guys and Dolls
Guys and Dolls features several different locations and different times of day. This scene pictured takes place in early morning, so the stage was bathed with soft pinks and yellows. The iconic sewer scene (where the song, “Luck Be a Lady” is sung), was created using a projection light to simulate water dancing on the wall, as well as lights shining through a manhole.
Running Barefoot in the Park
Barefoot in the Park was a single, interior set, so we used LEDs on the sky to help set the time of day. As the play progressed, the sky would reflect the mood of the characters - becoming dark and purple for when Paul and Corie were fighting and then moving to bright pink and red when they realized that they could indeed walk barefoot in the park.
Photo Credits on the Stage Lighting Posts: Pete Caster, Aran Graham, Rebecca Lund, Danielle Kays, Carrina Stanton, Jared Wenzelburger